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Northanger Abbey, Lady Susan, The Watsons, Sanditon (Oxford World's Classics), by Jane Austen, Claudia L. Johnson
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Northanger Abbey depicts the misadventures of Catherine Morland, young, ingenuous, and mettlesome, and an indefatigable reader of gothic novels. Their romantic excess and dark overstatement feed her imagination, as tyrannical fathers and diabolical villains work their evil on forlorn heroines in isolated settings. What could be more remote from the uneventful securities of life in the midland counties of England? Yet as Austen brilliantly contrasts fiction with reality, ordinary life takes a more sinister turn, and edginess and circumspection are reaffirmed alongside comedy and literary burlesque. Also including Austen's other short fictions, Lady Susan, The Watsons, and Sanditon, this valuable new edition shows her to be as innovative at the start of her career as at its close.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
- Sales Rank: #322612 in Books
- Brand: Austen, Jane/ Kinsley, James (EDT)/ Davie, John (EDT)/ Johnson, Claudia L. (INT)
- Published on: 2008-05-15
- Original language: English
- Number of items: 1
- Dimensions: 5.00" h x .60" w x 7.60" l,
- Binding: Paperback
- 432 pages
About the Author
One of England s most beloved authors, Jane Austen wrote such classic novels as Pride and Prejudice, Sense and Sensibility, Emma, and Northanger Abbey. Published anonymously during her life, Austen s work was renowned for its realism, humour, and commentary on English social rites and society at the time. Austen s writing was supported by her family, particularly by her brother, Henry, and sister, Cassandra, who is believed to have destroyed, at Austen s request, her personal correspondence after Austen s death in 1817. Austen s authorship was revealed by her nephew in A Memoir of Jane Austen, published in 1869, and the literary value of her work has since been recognized by scholars around the world.
About the Editor: The late James Kinsley was Professor of English Literature at the University of Nottingham.
John Davie is Head of Classics at St. Paul's School, London.
Tobias Reinhardt is Fellow and Tutor in Classics at Somerville College, Oxford University.
Claudia L. Johnson is the Murray Professor of English Literature at Princeton University.
Most helpful customer reviews
25 of 25 people found the following review helpful.
A 'nice' collection of early Austen and a few out-takes
By Laura Anne
This book brings together Austen's earliest novel, Northanger Abbey (although it was not published for many years after completion), with some of her earlier works and her final, unfinished, piece Sanditon.
This edition also has a fine introduction, which gives an interesting view of Austen's works and fleshes out some of the details surrounding the three lesser known works.
Northanger Abbey is, of course, the best known of these works, and a review follows below. Of the other three pieces, Lady Susan is the only completed one.
It follows the epistolary format that Austen experimented with extensively in her early career, but ultimately abandons the format, a little disappointingly.
It is an engaging piece, and the Lady Susan of the title is a vivacious, although reprehensible, character. Lady Susan has by far the strongest voice of the piece, but it is unclear whether she is truly intended as the heroine, or whether our sympathies should lie with her hapless daughter Frederica. Lady Susan is certainly a much more determined flirt than any of Austen's other major characters, and much older too (although perhaps not wiser).
The Watsons is a much shorter fragment, also dating from Austen's earlier career. It is darker in tone than her other works, and seems to tend more towards realism. It seems that this may be one of the reasons she chose not to finish the piece, although it seems that she ultimately intended for the piece to have a happy ending.
Sanditon is Austen's final work, begun shortly before her death and, sadly, never finished. The piece appears to have had a great deal of scope, describing the life and a times of the seaside resort of Sanditon. The tone and outlook of the piece are surprisingly upbeat, given the poor state of Austen's health as she was writing.
I hear that authors never like people to pick their early works as their best, but I've always had a sneaking fondness for Northanger Abbey. Luckily, Jane Austen is unlikely to complain about me liking one of her earliest works.
The novel's appeal is its extremely likeable anti-heroine, Catherine Morland. Catherine's appeal is her innocence and above all her fallibility. Of course, none of Austen's heroines are perfect, but Catherine has a charm that Austen's more self-possessed characters like Emma Woodhouse and Lizzie Bennett lack.
For this reason, I would say that Northanger Abbey can be a good introduction to Jane Austen, especially for younger readers, who may identify more readily with Catherine's naivete than with some of Austen's more mature characters.
As ever, Austen is in fine satirical form, but she and her characters stop short of outright mocking the fanciful Catherine and her unfortunate novel-reading habits. As one might expect, the novel ends with Catherine's reform, redemption would perhaps be too strong a term to use here, and Austen allows the imperfect Catherine to shine among a sea of other imperfect characters. (Naturally, some are more imperfect than others.)
One of the novel's stated objects is to satirise the gothic novels of Mrs. Radcliffe and her imitators. For the most part, Austen succeeds admirably, but once again her treatment of the subject is rather gentle. Although not many people these days will read the original gothic novels, I'm sure there are plenty of people out there addicted to contemporary fantastical horror that would crack a wry smile at the story, and be able to identify with 'poor' Catherine.
Perhaps at times the characters do seem to be a little overstated, maybe a little too black and white, but this is a very creditable early effort from Austen, and perhaps some of her characterisation issues can be traced back to her use of the gothic novel as inspiration.
All in all, a fine book, and certainly one for all of those 'almost pretty' girls out there who have their heads stuck inside books at every opportunity.
Overall, this edition makes a good addition to any Austen fan's bookshelf, the inclusion of the lesser known pieces makes an interesting companion to Northanger Abbey.
0 of 0 people found the following review helpful.
If you like Jane Austin you'll like this funny story....
By Debbi D
This book is written by letters to and from the various characters. It's classic Jane Austen. You have to kind of know Jane Austen stuff to "get" some of this. My husband saw the current movie based on this book with Kate Beckinsale "Love and Friendship" and he was lost at first. Then, after awhile he got into it and "got" the humor. But, I was laughing from the start. It's a very fun read if you like J.A.
0 of 0 people found the following review helpful.
I'm glad I bought this because it includes a number of ...
By Someone somewhere
I'm glad I bought this because it includes a number of works by Austen in one package. It's a good buy if you want to expand your Austen reading beyond Pride and Prejudice, Emma, and Sense and Sensibility.
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