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• Published on: 1600
• Binding: Mass Market Paperback

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[I330.Ebook] Download Guardians of Being: Spiritual Teachings from Our Dogs and Cats

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• Published on: 1600
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Designed to help problem solvers improve their street smarts, this hands-on guide examines the components of problem solving, and presents a series of graduated exercises — drawn from a variety of industrial applications — to familiarize, reinforce, challenge, and stretch readers creatively in the problem solving process. Leads readers step-by-step through a complete problem-solving process — from encountering an ill-defined problem to identifying the real problem, effectively exploring constraints, planning a robust approach, carrying it through to a viable solution, and then evaluating what has been accomplished. MARKETS: For students, new professionals, and practitioners.

• Sales Rank: #690837 in Books
• Published on: 1994-09-01
• Original language: English
• Number of items: 1
• Dimensions: 9.22" h x .47" w x 7.10" l, .73 pounds
• Binding: Paperback
• 224 pages

From the Publisher
Designed to help problem solvers improve their street smarts, this hands-on guide examines the components of problem solving, and presents a series of graduated exercises--drawn from a variety of industrial applications--to familiarize, reinforce, challenge, and stretch readers creatively in the problem solving process. Leads readers step-by-step through a complete problem-solving process-- from encountering an ill-defined problem to identifying the real problem, effectively exploring constraints, planning a robust approach, carrying it through to a viable solution, and then evaluating what has been accomplished.

From the Back Cover
This book was designed to help problem-solvers improve their street smarts.

About the Author

H. Scott Fogler is Vennema Professor of Chemical Engineering at the University of Michigan. His research interests include flow and reaction in porous media, fused chemical relations, gellation kinetics, colloidal phenomena, and catalyzed dissolution. Fogler has chaired ASEE's Chemical Engineering Division, served as director of the American Institute of Chemical Engineers, and earned the Chemical Manufacturers Association's National Catalyst Award.

 

Steven E. LeBlanc is Associate Dean for Academic Affairs and Professor of Chemical Engineering at The University of Toledo. He previously served as the chair of the Chemical and Environmental Engineering Department for ten years. LeBlanc has served as the Chairman of the ASEE Chemical Engineering Education Division and currently is serving as a co-Chair of the ASEE Chemical Engineering Summer School for Faculty to be held in Summer 2007. He also serves on the Publication Board for Chemical Engineering Communications.

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4 of 4 people found the following review helpful.
Great book
By michael
I purchased this text book and it is great book for the class that I am takeing. The book does a great job at breaking down the thought process behind solving problems. Explaining how we miss the solution to a problem by looking at the wrong part of the issue. Many times we over analyze things so much that we cant see the most simple things.

16 of 16 people found the following review helpful.
Well organized, and entertaining intro to problem solving
By A Customer
This is a systematic and well organized introduction. I used it with managers and students not just engineers. What was important was not just to follow an algorithmic approach but to imbue a way of thinking. It simply is not true that everyone has formed the discipline to use their mind following these or similar heuristics. We may stumble on them naturally, I agree. But for many people this is a useful revelation. In addition to the book, they have produced software to engage you in learning the problem strategies. Compared to many other books on the subject, this book has enough real world examples and strategies that it is not just pop psychology or wishful thinking or one more brainstrom with web-like diagrams.

14 of 19 people found the following review helpful.
Step 1: Think About Your Problem. Step 2: ????? Step 3: Profit.
By B. P. Cleary
This book is absolutely not for engineers.

This review is for the first edition, but too much is wrong for the second edition to correct.

This book talks about taking risks and looking for paradigm shifts and synergizing your lateral-thinking hoobahooba MBA jargon nonsense. Its example of problem solving heuristic is

Define the Problem
Generate Solutions
Decide the Course of Action
Implement the Solution
Evaluate the Solution

Then it gives no concrete guidance on doing any of them. It actually suggests looking for wise employees ("Go talk to George" the cartoon owl) whose experience will include an existing solution. By that logic, it should explain how to hire people to just solve all our problems for us.

It is well organized; like a fourth grader's math book -- complete with pointless cartoon airplanes in the margins. The examples (as many business/marketing as engineering) have zero analysis, but instead jump non-sequitur to conclusions that, of course, support whatever vaporous jargon is on that page. It basically reads like a self-help seminar.

Amid ridiculous single-page introductions to flowcharts and fishbone diagrams, the only technique I found novel was the Duncker Diagram -- and I had to go to Google to get any details. In the end, some version of these tips might be useful to children, but this is not a guide to systematic problem solving. If you want a book on marketing-type creativity, I suggest How to Get Ideas. If you want structured problem solving techniques, I'm still looking for something better than Wikipedia.

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[B187.Ebook] Ebook Download The Liars' Club: A Memoir, by Mary Karr

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The dazzling, prizewinning, wickedly funny tale of Mary Karr’s hardscrabble Texas childhood—the book that sparked a renaissance in memoir

When it was published in 1995, Mary Karr’s The Liars’ Club took the world by storm and raised the art of the memoir to an entirely new level, as well as bringing about a dramatic revival of the form. Karr’s comic childhood in an east Texas oil town brings us characters as darkly hilarious as any of J. D. Salinger’s—a hard-drinking daddy, a sister who can talk down the sheriff at twelve, and an oft-married mother whose accumulated secrets threaten to destroy them all. Now with a new introduction that discusses her memoir’s impact on her family, this unsentimental and profoundly moving account of an apocalyptic childhood is as “funny, lively, and un-put-downable” (USA Today) today as it ever was.

• Sales Rank: #12571 in Books
• Brand: Karr, Mary
• Published on: 2005-05-31
• Released on: 2005-05-31
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 7.71" h x .63" w x 5.07" l, .51 pounds
• Binding: Paperback
• 352 pages

Amazon.com Review
In this funny, razor-edged memoir, Mary Karr, a prize-winning poet and critic, looks back at her upbringing in a swampy East Texas refinery town with a volatile, defiantly loving family. She recalls her painter mother, seven times married, whose outlaw spirit could tip into psychosis; a fist-swinging father who spun tales with his cronies--dubbed the Liars' Club; and a neighborhood rape when she was eight. An inheritance was squandered, endless bottles emptied, and guns leveled at the deserving and undeserving. With a raw authenticity stripped of self-pity and a poet's eye for the lyrical detail, Karr shows us a "terrific family of liars and drunks ... redeemed by a slow unearthing of truth."

From Publishers Weekly
Poet Karr's NBCC nominated memoir of her East Texas childhood is a blackly comic tale of a family prone to alcoholism, violence and insanity.
Copyright 1996 Reed Business Information, Inc.

Review
"The essential American story ... a beauty." —Jonathan Yardley, The Washington Post Book World

"Astonishing ... one of the most dazzling and moving memoirs to come along in years." —Michiko Kakutani, The New York Times

"This book is so good I thought about sending it out for a backup opinion...it's like finding Beethoven in Hoboken. To have a poet's precision of language and a poet's insight into people applied to one of the roughest, toughest, ugliest places in America is an astonishing event." —Molly Ivins, The Nation

"9mm humor, gothic wit, and a stunning clarity of memory within a poet's vision.... Karr's unerring scrutiny of her childhood delivers a story confoundingly real." —The Boston Sunday Globe

"Overflows with sparkling wit and humor.... Truth beats powerfully at the heart of this dazzling memoir." —San Francisco Chronicle

Most helpful customer reviews

11 of 11 people found the following review helpful.
Too much blab and padding
By Jim F. Baughman
While Karr can turn excellent phrases, she seems here to have seen the need to stretch out the incidents of her childhood unnecessarily, and choke them up with too many words (when simplicity would have had far greater impact). Karr comes across as the type of writer who refused to let her writing be edited; this book could have been a great achievement if a good editor had gone through it and weeded out the fluff. As it is the narrative is frequently like struggling to mow a lawn that hasn't been tended to in years--very tough going.

2 of 2 people found the following review helpful.
An Interesting Memoir With Some Issues
By Mel R. Scurbica
I generally liked this memoir. The people who gave it one star seem to have problems. There a few issues that I have with the book. First, as at least one other reviewer stated, it needed a better editor who would separate the wheat from the chaff. Some of the pointless detail had me pulling my hair out, and I don't have that much left to pull out. I found myself pushing hard to get through certain sections of the book.

Then there's the issue of jumping around in time. [Spoiler Alert] If that wasn't maddening enough, one section ends with her mother in a mental institution and the next opens with the kids and the mother traveling to Seattle WITHOUT ONE SINGLE WORD ABOUT HOW THE MOTHER GOT OUT OF THE MENTAL INSTITUTION. It's not referred to at all.

Finally this: I'm four years younger than the author. I can't fathom how she could possibly remember so many details from when she was a little kid, so many years ago. As a beginning memoir writer myself, I'm having trouble pulling out details from my teen years. One wonders if Mary simply invented details after-the-fact.

I'd actually give this 3.5 stars but the problems with the narrative preclude that. However,having said that, I'm not sorry I read this book. It was still worth reading.

4 of 4 people found the following review helpful.
just ok.
By Wendy E
Glass Castle, this is not. The introduction by the author made me think that I was about to be blown away and unable to put it down..She really doesn't have an inferiority complex...and the reviews were all glowing, so after that I have to say that I was disappointed. I could put it down; I wasn't blown away; it didn't change my life. I compared it to "The Glass Castle" since going into it it sounded like the authors had similar backgrounds, so comparing it side by side it doesn't, to me, hold up. I think that if I hadn't read the introduction and all of the reviews I would have liked it more-It just left a bad taste that she went on and on about how many people approach her and tell her how she changed their lives with her book. I went into this expecting to LOVE it based on that and then go on to read her other books, however now I'm not so sure I will.

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(Musicians Institute Press). Stop straining to hit those high notes! Unlock your true potential and start singing easily and effortlessly with this book/2-CD pack by Musicians Institute vocal instructor Dena Murray. She teaches how to: breathe naturally; improve your speaking voice; stop holding, pushing and squeezing; develop your natural three-octave range; place your chest and head voices; and bridge the registers to sound like one voice. Includes two CDs with demonstrations, guided exercises, and plenty of practice tracks.

• Sales Rank: #118499 in Books
• Brand: Musicians Institute
• Model: 695427
• Published on: 2002-07-01
• Released on: 2002-07-01
• Original language: English
• Number of items: 1
• Dimensions: 12.00" h x .23" w x 9.00" l, .77 pounds
• Binding: Paperback
• 64 pages

Features

• 64 pagesSize: 12" x 9"Composer: Dena MurrayISBN: 063401319X

Most helpful customer reviews

181 of 192 people found the following review helpful.
Classical training light with five pages of technique taged on.
By Jeremy Deats
Some people will not like my review of this book. However, that doesn't change the truth of what I'm about to explain. Dena Murray's book is marketed as a "vocal technique" book for contemporary music, however the "technique" this book does focus on is more the classical training: Keep your larynx low, you're throat open, focus on placement of the Italian vowel sounds, and practice scales to improve pitch and work the registers. This is nothing new, this is the formula that has been applied to train opera singers for many generations and if you want this information then Dena's book does an ok job of putting that form of traditional training together in a nice package here. I say 'ok' because I believe there are better books out there; the techniques that helped me the most are not found here.

Considering that this book is marketed towards popular music vocalist and not traditional/classical singers, I'm giving this two stars. My problem with this book is outside of theater, I think the classical approach, while proven- has become a bit stale. Modern research by Thomas Appell and others have shown the science behind the human voice, we all do not have two registers as Dena states. This is probably what she was told years and years ago and that's why she teaches it, but if you read Appeal's book you'll discover a detailed report of the science of the human voice. Dena seems to dodge middle voice altogether, in this book she says "there is a middle voice, but you need to develop chest and head first". this is the classical training school of thought. Dena's approach is what you want for opera and theater vocals. It's also ok foundation. If your practice the scales she provides and the techniques she presents you're voice will improve. But that's not the bottom line here. There are other systems that will get you there faster, more modern techniques that teach style along with technique.

Dena's classical roots are also revealed in her classification of the registers, you simply calls the head register "falsetto", which implies ignorance. Since falsetto implies a technique (low tension which blows the chords appart to produce an light airy sound), head voice can most certainly also be full voice and not falsetto. This was one of a few red flags found in this book to me. Ms. Murray may be an excellent teacher, she is definitely a good writer, but a lot of her information is just beyond subjectively wrong.

SLS (Speech Level Singing) is a system developed by Seth Riggs, it's a different approach to vocal training than the classical system presented in this book and by classical instructors that's geared for popular music. SLS is not a gimmick as it now the leading system for popular music. Used for almost two decades now by amazing vocalist like: Michael Jackson, Keith Urban, Ozzy Osborne to name a small few. SLS focuses on building middle voice instead of giving it a back seat for months (or years) as Ms. Murray's approach would. "Middle voice" which is really just a SLS term for sweet notes found where the chest and head voice meet is crtical for popular music, you hear popular artist focus there (and seldom jump into head).

Some other problems I have with the material: C1 is presented as "middle C", I would have thought this a misprint except Ms. Murray goes on to talk about it. In case you're wondering "middle C" is commonly known as C4 on a piano. The most disturbing problem I found with Ms. Murray's material was information on vocal range, on her diagrams she shows a tenor should be able to sing from F2 an octave and a half below middle C up to G5, an octave and a half above middle C. This supports her comment that "everyone should have a three octave vocal range", which isn't true. In opera parts written for the Tenor will span from Bb below C3 up to "tenor high C" which is C5. That's just a tad over two octaves and most parts are written from C3-C5. Also almost all popular music for male tenors is between this range as well (actually most popular music stays within an octave and a half).

If you follow her advice you're likely to find yourself feeling inadequate with your range and you're "true voice" will emerge very clean with no color of style. If you want to sing opera this is perfect, if you want to be a rock or pop vocalist you may want to use this material as a foundation that's ok, just realize it's a very light foundation and if you stick with this you'll be a very generic singer. I actually think quite a bit less of the Musicians Institute series after reading this book. To her credit, it's possible Dena Murray's classroom material is distant from this book. There really is no implied connection by her own written words, but it is part of the MIT series, so my comments are not without merit.

My advice: See books by Seth Riggs, Roger Love, Thomas Appell and Jamie Vendera. These guys have current techniques that can be proven. While this book may give you a foundation suitable for move to the next level in any genre, there are better places to start for popular music vocalist.

47 of 48 people found the following review helpful.
Improved my voice quickly.
By Barrett Tagliarino
I've used many vocal method books, some with tapes or CDs, over the last few years - Jeffrey Allen, Seth Riggs, even the classic Marafioti, etc., - and this one is the best. The explanations are clear and helpful, giving you simple objectives to concentrate on while singing along with the exercises on the CD. The section on breathing is revolutionary. It is different from the other methods and seems to result in better pitch control.
The exercises on the CDs are very intense and get your cords warmed up & stretched out quickly. I recommend this book for anyone who's serious about learning to sing.

58 of 62 people found the following review helpful.
"Jaime Vendera, Author of Raise Your Voice"
By Jaime Vendera
Dena Murray, one of the head instructors at the Musician's Institute in Hollywood California, introduces a book dedicated to the art of vocal technique. As the name suggests, this is a guide to finding your real voice. The book sticks to the basics, in order to uncover your natural voice, and give the singer a foundation to work upon.

In this 60 page book, Dena focuses on approaching vocal instruction from a standpoint of finding and eliminating "trouble' in the voice. Her expertise lies in the area of taking a voice apart to train or re-train from scratch, in order to teach the singer to strengthen their weaknesses, and free their voice, as opposed to vocal manipulation.

Vocal Technique covers such topics as the voice and how it works, correct vocal placement, vocal registers, and breathing. She states that correct breathing is accomplished when the air flows freely, not squeezed or pushed.

Vocal Technique comes with two CDs. CD one is a series of lessons with guided exercises, illustrations, and tracks for practicing along with. CD two is specifically focused on four vocal exercises, designed to isolate and strengthen the separate registers. Although Dena uses more than 25 different vocal exercises in her practice, for the sake of the book, Dena purposely chose exercises to get the voice flowing. She wanted this book to be simple and easy to understand, as well as educate the beginner, and help each singer begin the path to vocal freedom.

Although this book is excellent for beginners, any vocalist will benefit from Dena's knowledge. If you are having trouble around your break points, Vocal Technique is an excellent book for strengthening the registers and break area. I recommend this book for all vocal enthusiasts.

See all 49 customer reviews...

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